Algo Mas is anything but the typical modern jazz CD. Though there is a spirit of open improvisation and the musical influences are varied and eclectic, those two features are about all Mark Weinstein’s latest release have in common with many of the other CD’s reviewed in these pages. That, however, is not to say that Algo Mas is lacking in originality or interesting ideas. Rather, there is so much to hear on this release that it will certainly take a few listens to get it all in. Weinstein calls his band Cuban Roots, and it is a most appropriate name. For its textural canvas, this recording chooses African influences in the most folkloric interpretations- the roots of Afro-Cuban music.

The CD consists largely of original arrangements of traditional Afro-Cuban folkloric themes. “Ellegua Abierto” begins with a solo guitar, gradually adding vocals, percussion and flute. The flute melodies are interwoven throughout the track. The musical image of two instrument co-existing and “bumping into” each other is one that is used to great effect throughout the CD. The idea is used again used on the next tune “Mis Consuelos,” this time the combination is flute and guitar. The traditional theme this piece is based on recurs throughout the tune, mostly as a background part to the soloing. “Aguas de Ochun” set in a busy 6/8 meter, featuring sparse vocal lines, which are answered by Weinstein’s flute, before building in intensity for a loud jabbing guitar solos. The most mainstream sounding tune has to be “Mamita Baila” with a singable pop-sounding melody.

Vocals and the flute are again “in each other’s faces” for the 6/8 tune “Vientos de Oya” which also features guitar and bass solos. “Jete Dlo” is a guitar/percussion duet. “Caminando con Agayu” again employs the call and answer idea, with flute and guitar trading answers to vocal calls. “Fantasia Malaga” is on of the most dense tunes, with its collective soloing and busy percussion. Weinstein takes one of his most interesting solos on “Salud Asojano” which begins with a cappella vocals. The title track, which closes the disc, is up-tempo and high intensity.

If you are looking for traditional jazz, this isn’t the CD. Ditto if you want the kind of Latin jazz made famous by masters like Tito Puente and Mongo Santamaria. If, however, you are interested in jazz at its most primal level- improvisation for creativities sake- then Algo Mas is for you. Weinstein is a fine player and leader and his band presents the unusual material in a consistent and informed manner. If this sounds remotely interesting to you, you’ll love the CD. For, while some may not care for the concept, there’s no doubt that its presentation is top-notch.